Palate: strawberry, pomegranate; sweet red berry fruit. Forest floor, earthy, leafy. Cigar box, cedary oak, sweet spice. Fresh strawberry-like acidity; very smooth, fine grained tannins; both well beautifully integrated. Earthy and savoury, showing good development. Fruity but savoury. Initially it seemed a bit simple and one-dimensional, but it opened up with a bit of air. Maybe lacks some of the complexity and length of his 1er crus, but that’s not unexpected I guess. I suspect it’s at the end of its drinking window. Really, really nice, very drinkable. Medium bodied, 13% alcohol. Seal: natural cork.
A couple of tasting notes of two more reasonably priced Burgundies. The crémant was particularly good value, and while it no doubt lacks the complexity of good Champagne (I don’t drink enough Champagne to comment!), was very drinkable.
Palate: strawberry, raspberry; beurre bosc pear, lemon, pineapple. Russet apples. Waxy, honeyed, nougat. Quite rich, but with linear, brisk acidity. Crunchy and fresh, but with some richness. Quite oxidative, I guess. Lots of persistent bead, overflowing when first opened. Maybe not as complex as some (bearing in mind that I’m an infrequent drinker of sparkling wines), but very nice. 12% alcohol. Seal: cork capsule.
DAY 2: left open overnight (& not properly sealed), now at (winter) room temperature (ie about 15°C). Still has some bead left, just. Rich, oxidative flavours are accentuated, eg mandarin, lemon marmalade, fleshy lemon, pineapple, russet apples, lemon curd. Still very nice, actually. Lovely, rich, oxidative style, run through with a lithe, persistent acidity.
Nose: sour cherry, strawberry, pomegranate, cranberry. Balsamic vinegar. Tobacco, earthy, cigar box. Old oak. Green apple? Fresh, lively.
Palate: sour cherry, strawberry, pomegranate, cranberry, maybe plum. Balsamic vinegar? Tobacco, earthy, cigar box. Old oak. Green apple? Fresh, lithe, linear acidity; smooth, fine grained, moderate tannins, slightly drying. Fresh, lithe, but with some earthy complexity. Medium to light bodied, 13% alcohol. Seal: natural cork.
DAY 2: hasn’t really improved overnight. There’s still quite a lot of sour cherry, pomegranate, and some leathery earthiness, plus a touch of green apple (malic acid?) in the background. Better yesterday. Fresh, lithe, and linear. Pretty decent, but perhaps with a bit less complexity than you’d hope for a village level Burgundy?
Anyone who knows me in real life will know that I have somewhat of an obsession with Burgundy — the region, the countryside, the towns and villages, the cuisine, and the wine — and that ‘somewhat’ is somewhat of an understatement. Equally, anyone who lives in Australia will realise that the wines of Burgundy, expensive at the best of times, are even more so by the time they reach Australia. The taxes on imported wines here are, I gather, among the most expensive in the developed world, on top of which must be added a profit margin for the importer and the retailer. As a consequence, the wines are often two to three times more expensive than in the region. On top of this, many of the wines that represent good value in the region are hard to find, or are simply not imported.
Consequently, there is a certain perverse desire to find local wines that — while they are not Burgundy wines, cannot be Burgundy wines, and should not even attempt to be Burgundy wines — have that vitality that distinguishes the most memorable of Burgundies. As an aside, I note that they should not attempt to be Burgundy wines, since this is not something any Burgundian winemaker would ever attempt. A good Burgundy wine is one which is true to its region and its vineyard; it does not attempt to emulate any other wine, however good or famous. Attempting to emulate a Volnay or a Gevrey-Chambertin is, therefore, attempting something that no Burgundian winemaker would consider, and — in a sense — missing the point completely. The attempt to be Burgundian makes it, by definition, not Burgundian.
In part, one could consider this about determining the best regions in Australia for Pinot Noir. This would only be partly the case. My experience of tasting Australian Pinot Noirs is partial at best; there are many well regarded examples that I have yet to try, as well as many that are no doubt equally good but as yet unknown. My budget is one limitation; retail availability is another. I have yet to try Mount Mary Pinot Noir, or any of Bindi Winegrowers’ well regarded wines. No doubt these, and others, deserve their place here; no doubt at some point I will get to try them, and I’ll mentally add them to my list. There are also likely wines that I have tried, and which should be included, but I have forgotten. It is worth restating that the limits of my own tasting experience, and of my preferences, do not in any way define the limits of what could be considered ‘good’ Pinot Noir wines; as such, these thoughts are my opinions, and my opinions only.
Equally, I am sure that there are regions which have great potential for Pinot Noir, but that potential has not yet been reached. While I have tried many very good Adelaide Hills Pinot Noirs, I have yet to try any truly great Pinot Noirs from this region — perhaps, again, because they exist but I haven’t found them yet, perhaps because the potential exists but is not yet being exploited, or perhaps because the region better suits other grapes than Pinot Noir. It is, after all, a fickle and difficult grape with notoriously specific requirements.
This all comes before we get into any discussion as to what represents typically ‘Burgundian’ Pinot Noir. It is obvious to anyone who has tried a few Burgundies that the region encompasses a range of styles, from quite robust, full bodied wines (such as Grand-Echezeaux) to more delicate, light, ethereal wines (as Volnay is often considered to be).
Even these generalisations are difficult: while Volnay is, as I just noted, stereotypically regarded to be at the more light, ethereal end of the Burgundy spectrum; this is not invariably true. It depends on the specific vineyard within Volnay, as well as vintage, and vigneron. Within Volnay, for example, the premier cru vineyards “Taillepieds” or “Santenots du Bas” produce richer, fuller wines than the more ethereal wines of the premier cru vineyard “Cailleret”. As an aside, my somewhat simplistic assumptions about the wines of Volnay were reshaped by a tasting at Nicolas Rossignol‘s new winery, which provided an enjoyable crash-course in the different terroirs of the Côte de Beaune.
Having put that all to one side, I will begin with one observation: for whatever reason (terroir? winemaking talent? coincidence based on my limited range of wines tasted?) the majority of truly excellent Australian Pinot Noirs I have tried have been from Victoria. I won’t attempt to guess why. Here follows a few of them.
I have no notes on the Bass Phillips wines that I’ve tried, as I tasted these before I was in the habit of making notes for most of the wines I try, and before I’d even began to become familiar with Burgundy. Nonetheless, the combination of elegance, power, vitality, and complexity were immediately apparent, and marked these out as serious wines. Sadly, the prices they command make them unapproachable for me, and I admire them from a distance.
Again, no notes. I tried these a good few years after the wines of Bass Phillips, and after several trips to Burgundy. They are also not cheap wines (though not as expensive as those of Bass Phillips), hence, I tried them at an in-store tasting at East End Cellars in Adelaide (hence the lack of notes). They were profound, complex, vital, and Burgundian in the sense that they reflected their vineyard and did not attempt to be anything that they were not. Each of the three wines I tried, from the Yarra Valley, Mornington Peninsula, and Gippsland, were completely distinctive. If I were to try to convince a sceptic that Australia can produce truly great Pinot, these are the wines I’d choose.
Hochkirch Wines, Henty, Victoria
2013 Hochkirch Henty “Steinbruch” Pinot Noir Colour: translucent cherry, touch of brick red Nose: strawberry stewed in balsamic vinegar. Sour cherry. Plum. Beetroot. Touch of stemmy earthiness, whole bunch character. Sweet spice. Palate: strawberry, balsamic vinegar. Sour cherry. Plum. Cassis. Beetroot. Earthy, stemmy whole bunch character. Sweet spice. Fresh berry like acidity, smooth slightly drying but structural tannins. Quite sauvage, but quite Burgundian. Elegant, vital, sappy. Medium bodied. Obviously made in a natural style, and a good example of such. 12,5% alcohol. — Saturday, January 19, 2019
2011 Hochkirch Henty “Village” Pinot Noir Colour: translucent burgundy, slightly cloudy (unfiltered, unfined) Nose: stewed strawberries with balsamic vinegar. White pepper, nutmeg and other sweet spices. A touch of old oak. Cranberry. A touch of savouriness. Elegant. Palate: stewed strawberries with balsamic vinegar. Cranberry and other sharp red berries. Sappy, elegant, lively. Stemmy. White pepper and sweet spice. Sharp fresh acidity – like slightly underripe strawberries. Very fine grained slightly drying tannins. Medium bodied, perfumed – could make a comparison with a particularly elegant village level Volnay. V v good. 12,9% alcohol. — Sunday, July 19, 2015
2015 Domaine Simha Tasmania “Amphora Lionheart“ Pinot Noir Colour: cloudy brick red Nose: candied red fruit. Raspberry and cherry. Cranberry? Tobacco, hay, earthy, stemmy, savoury. Sweet and savoury, intense. Palate: fresh berry like acidity, fresh red berries, raspberry, cherry. Tobacco, hay, earthy. Stemmy — some whole bunches in the ferment? Has the spicy, earthy, savoury, stemmy character I’d associate with stems. Very fine, smooth tannins. Complex, unusual, savoury. Eccentric, but really lovely. 12,5% alcohol. — Sunday, February 5, 2017